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Pygmalion (1912) and Ghosts (1881): A Collocational Analysis

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dc.creator Şekerci, Ömer; SÜLEYMAN DEMİREL ÜNİVERSİTESİ, FEN-EDEBİYAT FAKÜLTESİ
dc.date 2019-03-28T00:00:00Z
dc.date.accessioned 2019-07-09T11:40:47Z
dc.date.available 2019-07-09T11:40:47Z
dc.identifier http://dergipark.org.tr/sufesosbil/issue/44257/516873
dc.identifier 10.35237/sufesosbil.516873
dc.identifier.uri http://acikerisim.sdu.edu.tr/xmlui/handle/123456789/45223
dc.description GeorgeBernard Shaw (1856-1950) and Henrik Ibsen (1828-1906) were the most importantfigures in Modern European Drama in the late nineteenth century. While Ibsen isregarded as the founding father of Modern Drama in Europe, Shaw is consideredto be one of the most important founding figures of the English Drama. Theyboth contributed a lot to the development of modern drama in their times. Shawis known to have been greatly inspired by Ibsen. Shaw’s Pygmalion (1912) and Ibsen’s Ghosts(1881) are considered to be great dramas of their time, even today, interms of topics they have dealt with. Our literature survey has shown thatplays or drama texts have hardly been analysed collocationally, so we havetried to interpret and read these two major works by the major playwrights froma collocational perspective. The study aims to find out the similarities anddifferences of collocational style between two playwrights. The plays, in hand,have been read, analysed and interpreted according to the five lexical types ofcollocations by using simple arithmetic calculation. The lexical collocationshave shown us how Shaw and Ibsen treated collocations in their works.
dc.format application/pdf
dc.language en
dc.publisher Süleyman Demirel University
dc.publisher Süleyman Demirel Üniversitesi
dc.relation http://dergipark.org.tr/download/article-file/711243
dc.source Issue: 46 108-117 en-US
dc.source 1300-9435
dc.source 2667-6206
dc.subject Shaw,Ibsen,Collocations,Pygmalion,Ghosts
dc.title Pygmalion (1912) and Ghosts (1881): A Collocational Analysis en-US
dc.type info:eu-repo/semantics/article


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